As with the Adaptive and Perceptual palettes, use the Local setting when working on a single image use the Master setting when working on multiple open images that all share the same color palette. This is the best choice for most images, and you'll find that this palette often appears as the default choice on the Palette drop-down menu. ![]() Places selective emphasis on Web-safe colors, which results in images with the best color integrity. Just as with the Adaptive palette, use the Local setting when working on a single image use the Master setting when working on multiple open images that all share the same color palette. This palette relies on color to which the human eye has the most sensitivity. You'll rarely have to use the Master setting unless you're working on multiple open images that all share the same color palette. Use the Local setting if you're working on a single image. For example, if your image contains mostly red and orange colors, the adaptive color palette will be composed of mostly reds and oranges. This palette creates a color table based on the most frequently occurring colors in your image. ![]() Unlike other color palettes, it doesn't look to your original image to try to approximate those colors. The Uniform color palette relies on its own even (uniform) sampling of 216 colors to make up its color palette. Your image's colors will stay consistent, no matter whether it's viewed using Internet Explorer, Netscape Communicator, AOL, or any other Web browsers. When you choose the Web palette, your image is limited to the 216 colors recognized by most Web browsers. (Macintosh and Windows monitors display the same colors slightly differently.) This is also a useful option if you just want to see how your image will look when viewed on a computer system different from your own. But this option appears only if your image contains fewer than 256 colors (such as an image in Grayscale mode).Ĭhoose one of these options if you know that a majority of your users will be viewing your images on a specific computer system. Using the Color Picker, just click the H button, find the basic color on the Hue slider, and then choose the specific shade from the large square on the left, which shows all the variations of saturation and brightness within that hue.Ĭhoosing this option means that Photoshop Elements uses the exact same colors in your image to construct the color table. In the toolbox, click the foreground or background color selection box to access the Color Picker. How do you describe that in terms of red, green, and blue? If you're working in the HSB model, it's relatively easy. Say, for example, you want to color something bluish-green. ![]() Although you can't convert an image to HSB mode, you can make color selections and changes using either RGB or HSB from within the Color Picker ( Figure 3.4) and with many of the color-adjustment tools covered later in this chapter. S stands for saturation, the purity of the color, and B stands for brightness, or how light or dark the color is. H represents the color's overall hue (or how you'd characterize it in the color spectrum-for example, is that flower blossom "purple" or "teal"). For some purposes, it's useful to describe color in terms of the HSB model. I got hideous color profiles with the Spyder2Pro, but once I installed Adobe Gamma from CS2, in a matter of 5 minutes, I had perfect color.The RGB model isn't the only way to translate and interpret color. Oh and we also didn't mention that your monitor should be no more than a few months old and the same thing goes for your video card and drivers. The box proclaimed that it could produce dual monitor profiles (whoops, did we forget to tell you that this only applies to a very few very expensive PCI Express video cards?). ![]() Particularly annoying was the Spyder2Pro. Experts may agree that Adobe Gamma is junk, but for me, it is a vast improvement over the "junk" I bought. It works much better then the $600-700 I have spent on 3rd party calibration tools including Monacolor EZ Color and the Spyder2Pro. I had the CS2 version and loaded it from there. Since I couldn't find it in CS3, I "googled" and found the answer here. This is a bit late to be replying, but I've been trying 3rd party color calibration tools and have finally resorted to Adobe Gamma.
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